The movements of the soul – Christ among the doctors

Albrecht_Dürer_-_Jesus_among_the_Doctors_-_Google_Art_Project

For years this painting–Albrecht Dürer’s Christ Among the Doctors–has seemed to me profoundly odd. It’s so crowded! All those heads and hands and books. Why on earth would the artist pack a painting that way? And truth to tell, it feels a bit uncomfortable and almost creepy. What is going on here? I couldn’t figure it out, but this summer I had the opportunity to see the painting in person, and standing in front it, I felt like I finally made some progress.

I knew the subject, of course: a young Jesus is in the temple among the teachers, “and all who heard him were amazed at his understanding and his answers.” (Luke 2: 41-52)  And I knew that gesture has long been an important carrier of meaning in art. “These movements of the soul are made known by movements of the body,” wrote the great Renaissance humanist Leon Battista Alberti. So I at least had some context for this painting that Dürer created in five days while working in Venice.

One of the things I like to do in a museum is take pictures of paintings with my cell phone. Not just pictures of the entire painting, but close ups of the interesting bits. Details. I find it helps me think. And after looking at Dürer’s painting with my camera, here’s how I see it.

It’s the composition that reveals the story. At the center of the painting is a wheel of hands. Jesus’s young hands are making a point while the pale hands of the aged, blind teacher reach out to touch his arm and restrain him from speaking. That teacher–a doctor of the Law–is painted as a caricature, and caricature, like gesture, can be a quick way to convey a entire packet of meaning. We should understand this man’s blindness as both physical and spiritual. His hands are large and cold-looking as they try to overwhelm the boy Jesus’ hands.

Albrecht_Dürer_-_Jesus_among_the_Doctors hands center

 

 

Albrecht_Dürer_-_Jesus_among_the_Doctors Christ top

 

While none of the other faces are caricature, some of their expressions contribute to the viewer’s feeling of discomfort or danger. On either side of Jesus are two groups of three figures that mirror each other. Two of these figures are searching in books, arguing with Jesus about points of law. Two men catch our attention with their wild eyes: one looks at Jesus with suspicion; another looks out at the viewer with an expression of alarm.


Albrecht_Dürer_-_Jesus_among_the_Doctors upper left eyesAlbrecht_Dürer_-_Jesus_among_the_Doctors upper right

 

 

 

 

 

 

 

 

 

But in the midst of this swirl of confusion, mistrust, denial, and disputation, one of the teachers has stopped arguing. He looks at Jesus with what seems to me a world-weary hope, and Jesus, who has turned away from the blind doctor, meets his eyes with compassion.

 

Albrecht_Dürer_-_Jesus_among_the_Doctors Christ and Listener

 

While all around people are moving their hands and rustling pages, this man has closed his book, and rests his hands on top of it as he listens attentively. In this stillness, he receives understanding.

 

Albrecht_Dürer_-_Jesus_among_the_Doctors books and hands

 

The story that began with a wheel of hands, ends with hands at rest. As he does throughout this work, Dürer first makes his point by showing us a pair of images–here two books.  And then, like a storybook’s closing “The End,” the artist completes the narrative and confirms its meaning his by placing his signature and date on a bit of paper slipped between the pages of the closed book.

 

Albrecht_Dürer_-_Jesus_among_the_Doctors listening hands

 

“The movements of the body reveal the movements of the soul,” says the artist. “Be still and know that I am God.”

 

The compassionate presence of the Spirit

"Campfire Pinecone" by Emeldil at en.wikipedia. Licensed under CC BY-SA 3.0 via Commons

“Campfire Pinecone” by Emeldil at en.wikipedia. Licensed under CC BY-SA 3.0 via Commons

…real prayer brings us closer to our fellow human beings. Prayer is the first and indispensable discipline of compassion precisely because prayer is also the first expression of human solidarity. Why is this so? Because the Spirit who prays in us is the Spirit by whom all human beings are brought together in unity and community. The Holy Spirit, the Spirit of peace, unity, and reconciliation, constantly reveals itself to us as the power through whom people from the most diverse social, political, economic, racial, and ethnic backgrounds are brought together as sisters and brothers of the same Christ and daughters and sons of the same Father.

To prevent ourselves from slipping into spiritual romanticism or pious sentimentality, we must pay careful attention to the compassionate presence of the Holy Spirit. The intimacy of prayer is the intimacy created by the Holy Spirit who, as the bearer of the new mind and the new time, does not exclude but rather includes our fellow human beings. In the intimacy of prayer, God is revealed to us as the One who loves all members of the human family just as personally and uniquely as God loves us. Therefore, a growing intimacy with God deepens our sense of responsibility for others. It evokes in us an always increasing desire to bring the whole world with all its suffering and pains around the divine fire in our heart and to share the revitalizing heat with all who want to come.  

Henri Nouwen from Compassion (Doubleday: 1982) quoted in The Only Necessary Thing: Living a Prayerful Life (Crossroad: 1999, pp.61-62).

Speaking truth, shining light

I think as journalists, clearly we are professionals. Clearly, this is what we signed up to do, and we can’t let any of this fog our vision. We have to be clear-headed and sober in digesting this information, analyzing what’s going on. But I think as journalists who are also humans, I don’t think we do a good enough job identifying that there actually is a weight here, that this does take a toll in some way. I think we’re taught to be vigilant, and courageous, and speak the truth and shine light in very dark places, but that means you have to go to very dark places and shine light. That can take a lot out of you.

Trymaine Lee speaking with Gene Demby of NPR about the personal toll of covering the interactions between African-Americans and police in Ferguson, Mo. in the year after Michael Brown’s death.

 

The Lectionary has had me reading Acts this month, and it’s not a comforting read. Every day it’s preaching and beatings, imprisonment, court appearances, and so much posturing and conniving by various officials. I am following Paul from city to city, but no matter where the story goes, what I’m feeling is “no way out.”

So I was thinking about Paul when I read a passage in Mark. Speaking of coming persecutions Jesus says, “But take heed to yourselves; for they will deliver you up to councils; and you will be beaten in synagogues; and you will stand before governors and kings for my sake, to bear testimony before them.” (Mark 13:9)

And for the first time I saw the trials as a form of stealth–how else would you get an audience to witness to these people? You have to stand before the council. It’s the only way in, and we have to get in, but it’s a dark and dangerous path and it’s almost certainly a one way trip.

I believe that Christians, like journalists, are called to go to the dark places to speak truth and shine light. We cannot be content that there is darkness in the world or that we will always have the poor. But I feel the fear. And like the third servant in the Parable of the Talents, I know that God is demanding and the world is harsh, and I am tempted to bury my faith instead of trying to convince others to share it.

The lesson, I suppose, is that whether you act or fail to act, there is always a cost. There is no dodge. It’s what we signed on for, but we’re told the Spirit will give us words, so in the darkness we might proclaim light.

 

 

Feeling

"Oberfallenberg 11" by böhringer friedrich - Own work. Licensed under CC BY-SA 2.5 via Wikimedia Commons

“Oberfallenberg 11” by böhringer friedrich – Own work. Licensed under CC BY-SA 2.5 via Wikimedia Commons

 

What therefore you worship as unknown, this I proclaim to you. The God who made the world and everything in it, being Lord of heaven and earth, does not live in shrines made by man, nor is he served by human hands, as though he needed anything, since he himself gives to all men life and breath and everything. And he made from one every nation of men to live on all the face of the earth, having determined allotted periods and the boundaries of their habitation, that they should seek God, in the hope that they might feel after him and find him. Yet he is not far from each one of us…  (Acts 17: 23-27)

 

I’ve been away for a while, and I’m feeling a bit rusty, but I have a small thought to share. Just some impressions really–not even a thought.

I read the lectionary passages early this morning as I was sitting looking out at my grey, pre-sun backyard, waiting for the birds and chipmunks to stir and come looking for food at the feeder outside my window. And as I looked, I thought about the God who made the world and all the nations “in the hope that they might feel after him and find him.”

What does it mean to “feel after God?” Do we reach out with mind and spirit–as if shuffling in a mist with hands outstretched–stepping into the cloud of unknowing, trusting we will touch or be touched by the Divine? Is he waiting somewhere, or does he move in the mist to lead us on a chase? And I wonder, when we find him, will we trust what we feel? Will we recognize him by what we feel?

I am not a trusting soul. I am wary. And this shuffling in the mist could all be very frustrating were it not for the words, “in the hope that they might feel after him and find him.”

I think of God hoping to be found. (“Come on, reach for me.”) The Lord of heaven and earth, and yet not far from each one of us….

 

God loves the world

This is my Father’s world, and to my listening ears
All nature sings, and round me rings the music of the spheres.
This is my Father’s world: I rest me in the thought
Of rocks and trees, of skies and seas;
His hand the wonders wrought.

This is my Father’s world, the birds their carols raise,
The morning light, the lily white, declare their Maker’s praise.
This is my Father’s world: He shines in all that’s fair;
In the rustling grass I hear Him pass;
He speaks to me everywhere.

“This is My Father’s World”
Words: Malt­bie D. Bab­cock, 1901
Music: Terra Beata, tra­di­tion­al Eng­lish mel­o­dy, ar­ranged by Frank­lin L. Shep­pard

The fellowship of the weak

Forgiveness is the name of love practiced among people who love poorly. The hard truth is that all people love poorly. We need to forgive and be forgiven every day, every hour increasingly. That is the great work of love among the fellowship of the weak that is the human family.

― Henri J.M. Nouwen

 

A quotidian task, the family’s work, this cleaning up the mess of living.
Washing what is soiled, repairing what is broken,
putting away what someone else has taken out and carelessly forgotten.
A thousand injuries healed not counted, in a world where, the hard truth is that all people love poorly, and we
the weak, are called to the great work of Love.

 

Embracing community

Phone book cover2012-02-23 adj

 

The world is full of a number of things, and too many of them, I fear, have found their way into my possession. Some of them cause me to wonder “Why did I buy this?” and “Why am I keeping this?” but in this great world of things there are also a very few others that I wish I had picked up and didn’t. The item above is one of the latter.

I found it on a shelf of “miscellaneous stuff” in the Goodwill store in a small community in Southwest Virginia. At the time, I only knew it was quirky, and I didn’t have a use for it, so I took a picture and left it behind. To my surprise, this curious object kept visiting my mind, and in the years since I snapped that picture, I’ve pondered its significance and charm. Now I think I finally understand what it means.

The treasure I found that day is a handmade, plastic-canvas phone book cover. As I recall, plastic canvas needlepoint was particularly popular during the late 1970s and early ’80s, though it doesn’t appear to have ever really gone away. I can’t date this cover with great specificity, but the plastic canvas, the redesign of the Bell logo in 1969, and the breakup of the Bell System in 1984 suggest a time between the mid-’70s and mid ’80s.

What struck me first about this piece was the juxtaposition of symbols–Jesus and Ma Bell side by side–the sacred and the secular. That’s unusual of course, but as I thought about it more, I also realized how much time and love went into creating this cover. Who would take such care and why?

When this cover was first created, phone books mattered. Back in the day, phone books described and connected communities–particularly small communities. We all had each others’ numbers–it was rare that one should be unlisted. Our phones were attached to the wall, and a telephone directory was always near by. We used them daily–white pages and yellow pages, looking up names, addresses, and phone numbers–the cheap paper becoming dog-eared and torn with heavy use. A phone book might actually wear out! and so a cover like this would protect and personalize year after year, as each new book was slipped inside to replace the old.

But even if we can understand why someone would labor to make a telephone book cover, why would they put a cross on the back? What does Jesus have to do with telephones? What were they thinking?

It was the needlepoint that gave me a clue. Plastic canvas, often used for making tissue box and even iPod cozies, is surely a descendant of the punched paper mottos loved by the Victorians. You’ve probably seen examples of perforated card-board work made possible by new printing technologies. At the turn of the century, framed samplers proclaiming “God Bless This House” and “Give us this Day our Daily Bread” were displayed in many parlors. Perhaps the creator of the needlepoint cover had seen such samplers too, and so need and materials and tradition came together one person’s imagination and a plastic canvas phone book cover was created. A variation, perhaps, on the Bible cover. Probably unique.

 

Bless this house

 

I wish I had rescued that homemade cover from the Goodwill. It’s really rather extraordinary if you think about it. Someone once cared about their community, and the book that kept them connected. They wanted to protect the book and probably their neighbors. Someone wanted to make a statement, and they wanted to do it artfully. And this thing is evidence of that desire. I hate to see such things pass, though I know they often must.

Jesus and Ma Bell, wrapping their arms around this small community. Blessed be the ties.
 
 

Canticle of the Turning

Christ Enthroned Book of Kells Trinity College Dublin

Christ Enthroned
Book of Kells
Trinity College, Dublin

 

I was feeling flat and tired one day when a Goshen college choir came on the radio to sing a rousing version of this hymn. The crowd roared their approval, and I too was energized. Turned around, if you will. The lyrics seem to me a curious mix of fury and tenderness, but not unlike the world itself. Perhaps that’s why people vary the tempo so much when they sing it. Meanwhile, I did find the creator’s blog and I’ll quote his thoughts below.

The idea of “turning” in the title was both a nod to the inner conceit of “revolution,” (derived from the Latin “volvere,” which means “to turn”) and to the message of Jesus’s preaching in all three of the synoptic gospels, the core message of which was, “Repent, and believe the good news.” “Repent” translates a Greek verb the noun form of which is metanoia, that is to say, a complete change of the self, of mind and heart, which might also be rendered as “turn around.”   — Rory Cooney

 

Canticle of the Turning
Author: Rory Cooney
Tune: STAR OF THE COUNTY DOWN

1. My soul cries out with a joyful shout
that the God of my heart is great,
And my spirit sings of the wondrous things
that you bring to the ones who wait.
You fixed your sight on your servant’s plight,
and my weakness you did not spurn,
So from east to west shall my name be blest.
Could the world be about to turn?

Refrain
My heart shall sing of the day you bring.
Let the fires of your justice burn.
Wipe away all tears, for the dawn draws near,
and the world is about to turn!

 

2. Though I am small, my God, my all,
you work great things in me,
And your mercy will last from the depths of the past
to the end of the age to be.
Your very name puts the proud to shame,
and to those who would for you yearn,
You will show your might, put the strong to flight,
for the world is about to turn.

3. From the halls of power to the fortress tower,
not a stone will be left on stone.
Let the king beware for your justice tears
ev’ry tyrant from his throne.
The hungry poor shall weep no more,
for the food they can never earn;
There are tables spread, ev’ry mouth be fed,
for the world is about to turn.

4. Though the nations rage from age to age,
we remember who holds us fast:
God’s mercy must deliver us
from the conqueror’s crushing grasp.
This saving word that our forebears heard
is the promise which holds us bound,
‘Til the spear and rod can be crushed by God,
who is turning the world around.

A blade of green

Photo by  Mihael Simonič Wikimedia Commons

Photo by Mihael Simonič
Wikimedia Commons

 

The Saturday of Easter Vigil had unexpectedly exploded into anger and pain. Bewildered, grieving–all the feelings you have when struggling with someone you love–I found myself inside the Church’s most joyful service and, not being reconciled, unable to bring myself to receive communion.

The service continued: the long drama of worship leading up to the moment when the Resurrection was announced and the congregation would ring bells–sounding the victory while the priest walked the aisles casting baptismal water on the parish. That night I had no bell and, I remember searching frantically during the festal shout for something I could substitute–keys, a ringtone. The moment was passing, and overwhelmed by loneliness, I knew only that Easter was far away.

Then in the midst of all my despair, a single drop of water hit me and broke the spell. I was brought out of myself–not to joy, but at least to life. I was in a place where Easter was proclaimed. It was a moment of grace in deep darkness. A touch to call me back.

 

When our hearts are wintry, grieving or in pain
Thy touch can call us back to life again…

 

Now the Green Blade Riseth
Text by John Macleod Campbell Crum
Tune: Noël Nou­ve­let, 15th Cen­tu­ry French mel­o­dy

Couldn’t keep it to myself

Life of Christ Visualized: no.2053 1943 Photo: VCU Libraries

Life of Christ Visualized: no.2053 1943
Image: VCU Libraries

 

As he was now drawing near, at the descent of the Mount of Olives, the whole multitude of the disciples began to rejoice and praise God with a loud voice for all the mighty works that they had seen, saying, “Blessed is the King who comes in the name of the Lord! Peace in heaven and glory in the highest!” And some of the Pharisees in the multitude said to him, “Teacher, rebuke your disciples.” He answered, “I tell you, if these were silent, the very stones would cry out.”

 Luke 19:37-40

 

I said I wasn’t gonna tell nobody, but I couldn’t keep it to myself…
what the Lord has done for me.
You oughta been there when He saved my soul.
That Sunday morning when He put my name on the roll.
I started walking, started talking, started singing, started shouting
about what the Lord has done for me. 

–Professor Alex Bradford