Archive for controversy

Hills of the North, Rejoice!

Hills of the North, Rejoice

Words: Charles E. Oakley (1832-1865); first pub­lished in 1870
Tune: Little Cornard by Martin Shaw

According to the writer Ancientandmodern, “I learned a very important lesson from this hymn: the right words are the ones that were in your school hymnbook, and any other words are dead wrong.”

I suspect we’ve all felt that moment of strangeness in worship where you’re going along reciting the Lord’s Prayer or singing a familiar hymn, and you suddenly realize that the rest of the congregation is not using the same words you are. We can cope if we’re visiting a new church, but if it’s a new hymnal or liturgy book in our own church home–count yourself lucky if there’s no riot after the service!

This version by the Huddersfield Choral Society combines lyrics from two English hymnals: Ancient and Modern and The English Hymnal. Sung at a rousing good tempo, the resulting hybrid captures creation’s joy at Christ’s coming while omitting some of the imperialism found in earlier texts. There other meditative and more moderately-paced interpretations (some with different lyrics), but this one made me believe that the hills were rejoicing, so it’s the one I’ll share.

Hope your Advent preparations are going well.  Jesus is coming!

 

Hills of the North, rejoice;
River and mountain spring,
Hark to the advent voice;
Valley and lowland, sing;
Christ comes in righteousness and love,
He brings salvation from above.

Isles of the Southern seas,
Sing to the listening earth,
Carry on every breeze
Hope of a world’s new birth:
In Christ shall all be made anew,
His word is sure, his promise true.

Lands of the East, arise,
He is your brightest morn,
Greet him with joyous eyes,
Praise shall his path adorn:
The God whom you have longed to know
In Christ draws near, and calls you now.

Shores of the utmost West,
Lands of the setting sun,
Welcome the heavenly guest
In whom the dawn has come:
He brings a never-ending light
Who triumphed o’er our darkest night.

Shout, as you journey on,
Songs be in every mouth,
Lo, from the North they come,
From East and West and South:
In Jesus all shall find their rest,
In him the sons of earth be blest.

 

Marked by our past: echoes of Grünewald at JesusTattoo.org

 

Photo: JesusTattoo.org

Some billboards in Texas are causing a commotion. The images, which are part of a campaign by the Christian outreach group JesusTattoo.org, show a heavily-tattooed Jesus covered with words like “Outcast,” “Hated,” “Addicted,” and “Faithless.” An accompanying YouTube video presents a parable in which Jesus appears as a tattoo artist. People come to him with tattoos naming their sins and griefs, and the tattoo artist changes them into positive messages. Only at the end of the story do we discover that the artist has accomplished this by taking the original tattoos onto his own body.

The tattooed Jesus is a modern illustration of the idea that Christ shares our suffering and takes on our sins. “Surely he has borne our griefs,” we read in Isaiah, “a man of sorrows…and he bare the sin of many.” While the image offends some people, it brought to my mind a much older picture: the Crucifixion panel of the Isenheim Altapiece.

 

Isenheim altarpiece (closed)
Mattias Grunewald, 1512-1516

Painted by Matthias Grünewald in the early 1500s, the Isenheim Altarpiece was created for the Monastery of St. Anthony which specialized in the care of plague sufferers and those with skin diseases. The body of the crucified Christ is covered with sores to show patients that Jesus understood and shared their afflictions. It’s not pretty or heroic, but it’s very powerful.


Like the billboards in Texas, Grünewald’s painting emphasizes the humanity of Jesus, even as it asserts the power of his saving work. Perhaps that’s one reason for the offense.

Our life in this world changes us. Suffering and sin mark us like ink and scar. Thanks be to God whose Love takes us as we are and make us new.

Resurrection panel
Isenheim Altarpiece