Archive for Bible

Born this day

Shepherds and angel glory

The Christ Child as told by Matthew and Luke
Made by Maud and Miska Petersham
Doubleday and Co., 1931.

 

Christ Child Petersham crop

The Christ Child as told by Matthew and Luke
Made by Maud and Miska Petersham
Doubleday and Co., 1931.

 

 

Methinks I see an heav’nly host
Of angels on the wing;
Methinks I hear their cheerful notes
So merrily they sing.

Let all your fears be banish’d hence,
Glad tidings I proclaim;
For there’s a Savior born today,
And Jesus is his name.

Lay down your crooks, and quit your flocks,
To Bethlehem repair;
And let your wand’ring steps be squar’d
By yonder shining star.

Seek not in courts or palaces,
Nor royal curtains draw;
But search the stable, see your God
Extended on the straw.

Then suddenly a heav’nly host
Around the shepherds throng,
Exulting in the threefold God
And thus address their song.

To God the Father, Christ the Son,
And Holy Ghost ador’d;
The first and last, the last and first,
Eternal praise afford.

Shiloh by William Billings, 1746-1800

 

Billings NewEnglandPsalms00bill_0008  Billings Newenglandpsalms title page bill_0009

 

 

The Golden Bible for Children

THe Golden Bible for Children: The New Testament illustrated by Alice & Martin Provensen Simon and Schuster, 1953

The Golden Bible for Children: The New Testament
illustrated by Alice & Martin Provensen
Simon and Schuster, 1953

 

Alice and Martin Provensen met in 1943 when they were both working for animation studios. They married in 1944 and went on to illustrate over 40 books together–including The Color Kittens by Margaret Wise Brown and A Visit to William Blake’s Inn by Nancy Willard. Martin Provensen also designed Kellogg’s Tony the Tiger. Of their work together Alice said, “…we were a true collaboration. Martin and I really were one artist.” (Interview in Publisher Weekly, 7/16/2001, by Leonard S. Marcus)

Other illustrations from The Golden Bible may be seen on Flickr.

I love the way way the Provensen’s give us a sense of motion in the Flight to Egypt below. The lines that cut across the two parts of the pictures move us from left to right, but the soldiers are rigid and straight, while the Holy Family follows the angel’s outstretched arm as a gently curving hill flows across the panel. It’s a nice bit of storytelling–telling us both “The soldiers are coming!” and “The angel will help them escape” and giving us a picture that enables us to hold those ideas in our imagination simultaneously. The star-like flower shapes are used throughout the book to indicate the presence of angels or the Spirit.

 

Flight into Egypt Alice and Martin Provensen The Golden Bible for Children: The New Testament Simon and Schuster, 1953

Flight into Egypt
Alice and Martin Provensen
The Golden Bible for Children: The New Testament
Simon and Schuster, 1953

The Journey

    Story of Christmas cover

Journey to Bethlehem

Angel

Historia de la Navidad

The journey to Bethlehem from the beautifully illustrated The Story of Christmas by British artist, Jane Ray. Available in both English and Spanish, the colors are magnificent, the pictures are full of detail, and by the time the wise men appear the illustrations are almost like a dream. Stay tuned through Epiphany…

 

The Bible Story Cube unfolds

Birth of Jesus cover

 

 

opening cube

 

Annunciation Beginners Bible

Traveling

Baby born
Shepherds

 

Cube box

Today’s Bible story illustration is not exactly a book. It’s the offspring of the hugely successful Beginners Bible and an award-winning “dimensional promotional product” the Magic Cube. With such parentage you’d think the Beginner’s Bible Story Cube would have taken over the world, but today they’re hard to find. Perhaps the company that made them was too small. Perhaps they were simply played out of existence.

To give you a bit of historical context, the original Beginner’s Bible,  written by Karyn Henley and illustrated by Dennas Davis, was in print from 1989-2004 and sold over 5 million copies–making it the best-selling Bible storybook of all time. There were many, many derivative products: books, CDs, video, toys, coloring pages, curricula, and The Beginner’s Bible became a franchise. The copyright is owned by James R. Leininger, a Texas physician, businessman, and political activist.

The Magic Cube was and is a tactile marketing object, and a multi-year winner of the Fidget Factor award (though a caveat here: I can’t discover who gives out that award). MagiCube websites proclaim, “Touch. Teach. Connect.” “right on your customer’s desktop” “deliver FUN with your advertising!”

At some point in the 1990’s, Good News Gifts must have licensed the pictures and story from Leininger to make Beginner’s Bible Story Cubes. Today Good News Gifts still markets a number of Story Cubes (and still priced at $6.95!), but they’re no longer branded “Beginner’s Bible” and the artwork has changed. (For that matter, The Beginner’s Bible has changed too, and the new edition is illustrated by Kelly Pulley.)

My story cube is just one of a number of the many ways people have come up with for children to play with Bible stories. There are Noah’s ark sets, plush whales with Jonah zipped inside, Almighty Heroes action figures, Nativity sets for little hands, and Godly Play activities. I find most of these pretty interesting as Christian material culture, but I have a soft spot for toy books and the unfolding cube. Maybe someday I’ll make my own.

 

Stick figures and line drawings

The Little Jetts Bible by Wade C. Smith W.A. Wilde Co., 1942

The Little Jetts Bible
by Wade C. Smith
W.A. Wilde Co., 1942

Isaiah 40

According to the foreword of Wade Cothran Smith’s  The Little Jetts Telling Bible Stories for Young Folks,

The Little Jetts sprang into being one Sunday afternoon when Mama was away and Daddy had to keep some little folks from missing her too much. He knew Mama had been in the habit of telling them Bible stories on Sunday afternoons, but dared not attempt to duplicate her style, knowing he would be “weighed in the balance and found wanting.” Thus came the necessity to offer novelty of some kind, and, with fountain-pen in hand, he set out upon the rather hazardous experiment (for a novice) of telling illustrated stories. Two things, however, were at once in his favor–a child’s wonderful imagination, which has no difficulty in seeing people in straight marks, and the delight of a child at seeing anything drawn, however crude.

The Little Jetts appeared at a time when a “chalk talks” (a sermon or talk presented while drawing) were very popular in America. Invented by a Methodist artist, Mr. Frank Beard, chalk talks soon spread to vaudeville and to Chautauqua gatherings. Eventually, this interest in watching drawings come magically alive would lead to animated films (through artists such as Winsor McCay), and eventually to Christian cartoons.

The Little Jetts Bible sat on a shelf in my parents’ bedroom and, peering at those pictures in the days before I could read, the Little Jetts always seemed a bit ant-like to me. The illustrations were small and intense and there was a lot of action that I couldn’t always interpret–which I suppose is what put me in mind of watching ants working in the back yard. I think I was also used to more elaborate children’s illustrations and Disney cartoons, so I didn’t perceive all the detail that was available to me.

Now that I can read the accompanying text, and can view the less sketchy book that’s available via the Internet Archive, I see what all the fuss was about. By showing us little, by suggesting much, the artist brings us into the storytelling. Wade C. Smith hoped that children might be inspired by the Little Jetts to draw their own pictures–perhaps right in the book!–to make a keepsake of their childhood familiarity with Bible stories.

 

This book may be read on Internet Archive  https://archive.org/details/littlejettstelli00smit

Published by Wade C. Smith, Richmond, Virginia, 1916.
This book may be read on Internet Archive
https://archive.org/details/littlejettstelli00smit

 

Thinking about the Little Jetts put me in mind of another illustrator, the wonderfully talented Annie Vallotton. In the 1960’s, Vallotton created roughly 500 line drawings to illustrate the American Bible Society’s Good News Bible. A paperback copy of the New Testament–Good News for Modern Man–was one of my go-to translations during high school and college, and Vallotton’s illustrations added much grace and lyricism to my experience of reading scripture.

SAMSUNG

I suppose that Annie Vallotton’s drawings were for me what the Little Jetts were for their time: something different, something that felt modern, something that made the Bible seem more like a great story and less like scripture. They were respectful, but not typical–which is a fine line to walk.

 

"I will bring your people home." Is. 43: 5 Annie Vallotton Good News BIble  American Bible Society, 1976

Annie Vallotton
Good News Bible
American Bible Society, 1976

Behemoth and porcupine

Hippopotamus Illustration by Howard Berelson in Animals of the Bible, written by Isaac Asimov, Doubleday, 1977

Hippopotamus
Illustration by Howard Berelson in
Animals of the Bible,
text by Isaac Asimov, Doubleday, 1977

 

“Behold, Be′hemoth,
which I made as I made you;
he eats grass like an ox.
Behold, his strength in his loins,
and his power in the muscles of his belly…
Under the lotus plants he lies,
in the covert of the reeds and in the marsh.
For his shade the lotus trees cover him;
the willows of the brook surround him.
Behold, if the river is turbulent he is not frightened;
he is confident though Jordan rushes against his mouth.” (from Job 40)

 

Illustration by Howard Berelson in Animals of the Bible written by Isaac Asimov, Doubleday, 1977

Porcupine
Illustration by Howard Berelson in
Animals of the Bible
text by Isaac Asimov, Doubleday, 1977

 

For the Lord has a day of vengeance,
a year of recompense for the cause of Zion.
And the streams of Edom shall be turned into pitch,
and her soil into sulfur;
her land shall become burning pitch.
Night and day it shall not be quenched;
its smoke shall go up forever.
From generation to generation it shall lie waste;
none shall pass through it forever and ever.
But the hawk and the porcupine[c] shall possess it,
the owl and the raven shall dwell in it. (from Isaiah 34)

Getting ready

The Creation from Favorite Stories From the Bible The Children's Bible in sound and pictures, Peter Pan Records DM 101

The Creation
from Favorite Stories From the Bible
The Children’s Bible in sound and pictures, Peter Pan Records DM 101

 

There are two seasons during the Christian calendar when we are given a special opportunity to get our personal spiritual disciplines in shape. There’s Lent, our somber and introspective time, and Advent which is four weeks of joyful anticipation. Though very different in character, they are both times of getting ready–of letting the Spirit cleanse the thoughts of our hearts and help us prepare for a Great Event.

This Advent I’ll be sharing illustrations from a variety of artists who tried to make the Bible more vividly present to our imaginations. Some will be from the Old Testament and some from the New; many will be from children’s books. They manifest the great diversity of Christendom and sometimes the odd and fascinating reality of the Church in the World.

I hope they will give you occasion to remember familiar stories, and perhaps look up a few passages to compare the scripture with the artist’s interpretation. Like the prayers and verses we memorize, pictures from Bible storybooks stick with us and become part of the way we weave God’s word into the fabric of our daily living. And in the end, isn’t that the purpose of all our spiritual disciplines? Enjoy!

 

 

The Temptation
from Favorite Stories from the Bible
The Children’s Bible in sound and pictures, Peter Pan Records DM 101

The song that only the 144,000 could learn

I’ve been reading in the book of Revelation this week–a fitting preparation for All Saints on Saturday and an interesting parallel to a fantasy trilogy I also happen to be reading. All those end-of-the-age narratives are swirling in my mind and trying to find a way to settle into sense. I ponder. I wonder. Why must truth be hidden for a time? What is the key that will unlock the mystery? How deep is the deception? How is authority given to the agents of Good and Evil? What does that authority mean? If power is no indication of the right, then how can reason or wisdom discern the truth? Is there any path from reason to wisdom, or is it a leap?

I wonder why cities and wealthy merchants and traders are so important in the story–the selling of luxury goods and human souls. I’m struck by all the imagery of water and wine and blood–the great wine press of the wrath of God, floods of destruction, intoxicating passion, poison forced down the throat, and then the fountain of the water of life, given without payment.

It’s a mighty narrative. Most of the time we hardly know what to do with it, but we can’t let it go. Everybody has a different way of dealing with the story and the imagery, because even if you don’t interpret them, you have deal with their existence. Something to think about.

So here’s a bit of imagery for you. Elvis sing “I, John” which talks about the 144,000–those who stand with the Lamb on Mt.Zion “redeemed from mankind as first fruits for God and the Lamb and in their mouth no lie was found, for they are spotless.” “and they sing a new song…No one could learn that song except the hundred and forty-four thousand who had been redeemed from the earth.” (Rev. 14) I found the paintings that were chosen to illustrate the song quite extraordinary. They’re not the pictures I grew up with, but they’re a window into other minds, and I count that as a good thing.

 

Lamb-a ram-a sheep horns

Jericho panel from the Ghiberti doors Grace Cathedral, San Francisco Photo: Bernard Gagnon  Wikimedia Commons

Jericho panel from the Ghiberti doors
Grace Cathedral, San Francisco
Photo: Bernard Gagnon
Wikimedia Commons

“So the Lord was with Joshua; and his fame was in all the land.”

Joshua 6

I imagine Joshua would be pleased (in a warrior-sort-of way) to know that the world is still singing his song. “Joshua Fit the Battle of Jericho” is one of the most popular American spirituals, sung in a variety of arrangements by Mahalia Jackson, the Delta Rhythm Boys, the Moses Hogan Singers, and children everywhere (It’s so much fun to knock that brick wall down at the final tumbling cadence.)

Here for your enjoyment is Elvis’ 1960 version from the album His Hand in Mine. Elvis is backed by the Jordanaires, and sings in the style of the Golden Gate Quartet–an incredible group out of Norfolk, Virginia whom Elvis admired and once met.


Praying for Pharaoh

 Pharaoh detail

The Exodus story is much stranger than I remembered. I read it again the other day and there was so much that just seemed odd and complicated.

To begin with, why do you think God wants Pharaoh to let the Hebrews go free? If you trusted vague memory, you might think it was because God is a freedom-loving deity and slavery is wrong. But what God actually says is, “Let my people go, that they may serve me” which sounds much more like he’s telling Pharaoh “You have something that belongs to me, and I want it back.” Oh.

And then there are all those plagues, and all that back and forth–essentially between God and Pharaoh, but with Moses and Aaron in between. In memory, the plagues create the mounting drama, and ensure that we are clear about how stubborn and wicked Pharaoh is. In memory (and the movies), the plagues are God’s way of wearing down Pharaoh’s resolve, but this time through it seemed to me that there was more going on.

Setting aside the whole question of “the Lord hardened Pharaoh’s heart” and Pharaoh’s free will in this situation (we’ll have to save that for another time), each plague is both a sign of God’s power (witnessed by Egypt and Israel) and an opportunity for repentance. And every time Pharaoh repents and says, “Ok, you can go, just stop the plague,” Moses has to go out and intercede for Egypt.

Wait. Moses has to pray for Pharaoh? That must have been terrible. Why plead on behalf of the oppressor? “Stop the gnats. Stop the frogs. Stop the locusts. Forgive him. Have mercy on Egypt.” Do you think that what Moses wanted to say was “Wipe them out and let’s be done with this!?” Do you think that after a while he might have doubted Pharaoh’s sincerity? Why did God put Moses through that? Why was intercession required? Why couldn’t Moses just command the plague to end?

I wondered about this the other day as I read familiar verses in Romans 8

Likewise the Spirit helps us in our weakness; for we do not know how to pray as we ought, but the Spirit himself intercedes for us with sighs too deep for words. And he who searches the hearts of men knows what is the mind of the Spirit, because the Spirit intercedes for the saints according to the will of God.

Pharaoh didn’t know God, did he need Moses in this weakness?  I need to think about this more.

Intercession is a mystery–deeply strange and sometimes difficult. Why should God, knowing someone’s need better than we do, command us to pray for them? Why should we pray for our enemies? What does it mean that God, knowing our hearts, wills the Spirit to intercede for us?

I think it may have something to do with forgiveness. “And whenever you stand praying, forgive.”  Perhaps intercession enables forgiveness. Perhaps it is a sign of forgiveness. Perhaps the Exodus is not only a story of God’s mounting wrath, but also his repeated forgiveness. Perhaps we never really forgive anyone until we lift them up and stand with them in God’s presence.