Archive for Advent

Holy Family

Holy Family, Peru

Simple Nativity

 

On the shelf in the rector’s office. Snapped this picture
just before going in to rehearse the Christmas play.

Scenes from the Manger

On a recent visit to my parents’ home I pulled out the manger scene I played with as a child.  That was what we called it then–not a Nativity or a Creche.  It was a manger scene, complete with Mary and Joseph, Baby Jesus, a plastic donkey and a cow, sheep and their shepherd, three wise men with gifts, and an angel.  The cardboard stable had (increasingly less) straw glued onto the roof, and there was a windup music box built in that played “Silent Night.”  Over the years, I wound that music box many times, learning about springs and gears as the tune played slower and slower before finally winding down to a stop.

Ours was not a fancy nativity, but it was an important part of our Christmas preparation every year.  We were not Nativity Purists at my house.  We didn’t wait until Epiphany to place the wise men in the scene, and we ignored the historical accuracy issue by letting the wise men and the shepherd worship the Christ Child at the same time. Sort of a “more-the-merrier” approach I suppose, with the entire cast on stage at once.

It was important, I think, that the figures were plastic, because no one was ever afraid to let me play with this religious object.  I could assemble the stable, arrange the characters in the Christmas story, wind the music box and let it play. I don’t remember ever making believe that the figures talked; it was a silent tableau except for the music.

     

Still, there are important considerations when you are a child arranging a manger scene. Mary and Joseph should be positioned where they can protect the baby. Everyone wants to be able to see Jesus, so the taller figures go in the back, and the shorter ones up front.  The shepherds and wise men need to stand at a close, but respectful distance from the Holy Child–though sometimes a curious young lamb will come right up and peer into the manger.  The cow and the donkey should stand together like old friends in the stable. And there must be an angel–preferably somewhere up high–to give the proper sense of mystery and holiness to the scene. 

As I stretched out on the floor, the lesson I took from the plastic manger was that this was a Bible story for me. Jesus’ birth was the first Bible story I could inhabit in my imagination; experience with my hands, eyes, and ears. I could be eye-to-eye with these Bible people. Think about their relationships and express them in space.  Come to know them in a way. Wait for their arrival every year.

During Advent I’ll be posting pictures of Nativities collected by friends and family over the years. If you have a creche or a story you’d like to share, let me know via email or in the comments section. Let’s get out the boxes, unwrap the tissue paper, and set up our manger scenes. It’s time for us to enter in.

On Jordan’s Bank

Luke 3: 2b-3 “…the word of God came to John the son of Zechari’ah in the wilderness; and he went into all the region about the Jordan, preaching a baptism of repentance for the forgiveness of sins.”


Katja Linder plays Martin Gaskell’s chorale prelude on “Winchester New,” the tune of the English hymn “On Jordan’s Bank the Baptist’s Cry.”  Recorded at First Cumberland Presbyterian, Austin, Texas.

On Jordan’s bank the Baptist’s cry
Announces that the Lord is nigh;
Come, then, and hearken, for he brings
Glad tidings from the King of kings.

Then cleansed be every Christian breast
And furnished for so great a Guest.
Yea, let us each our hearts prepare
For Christ to come and enter there….

All praise, eternal Son, to Thee
Who advent sets Thy people free,
Whom, with the Father, we adore
And Holy Ghost forevermore.

lyrics from The Lutheran Hymnal, Hymn #63

 

 

 

Getting ready: Come Thou Long Expected Jesus

And now for something a little different as we move through Advent…

This is a classic YouTube video. A guy sits on his bed, says a few introductory words, and plays a song on his guitar.  You can find a lot of these, and a lot of them are pretty interesting, but this one I wanted to share. I like the way Johnnybluelabel noted in the caption that he was playing a 1996 Lowden O10 guitar. (I always look at the headstock to see what kind of guitar people play.) And his voice and the arrangement of this hymn remind me of Bruce Cockburn–whose album “Christmas” I have enjoyed for many years.  But most of all I think I like this video because it is unpolished. Just something to help the bass player get ready for Sunday.  Maybe it will help us get ready, too.